Current singing schedule:
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The Third Annual
Mt. Adams All-day Sacred Harp Singing
at Trout Lake, WA

Saturday June 18th, 2016
10:00am to 3:30pm

Mt. Adams Baptist Church
2366 Highway 141
Trout Lake, WA

Important! Please read!!
Every three years, on the third Sunday weekend in June, the Trout Lake Grange is reserved by a local family for their big family reunion. 2016 is one of those years. So we will be having the singing at the Mt. Adams Baptist Church, our alternative venue.

It's a lovely, wood-heated country church with all the amenities for an all-day Sacred Harp singing with a dinner on the grounds.

As an added bonus the pastor offered the churchyard for people to camp or they may sleep inside the church on Friday night.

There is a full kitchen in the basement, tables, chairs, etc. Very nice.

So mark your calendar now!

Contact Melissa with any questions.

email Melissa
(503) 931-2837



The 1991 Edition of
The Sacred Harp

DEDICATED TO all lovers of Sacred Harp Music, and to the memory of the illustrious and venerable patriarchs who established the Traditional Style of Sacred Harp singing and admonished their followers to "seek the old paths and walk therein".



   A singing that could be us.











If you are wondering what Sacred Harp is... please click here to watch a video about Sacred Harp singing, where it comes from and what it sounds like.

This was the first music in America. Some of of these songs date back to the 17th century, well prior to the time of the American Revolution. The Sacred Harp is the title of a book of songs, a collection of over 500 venerable religious songs and folk tunes. It was first published in 1844 and has been in print and in use continuously ever since.

The songs are 4-part choral pieces for men's and women's voices: treble, alto, tenor and bass. They are sung completely a capella, or unaccompanied, and in full voice, or loud, although to sing loudly is never a requirement for participation.

As Sacred Harp singers we do not practice for a performance. These are not rehearsals. We gather to sing purely for the enjoyment of the music, for ourselves, for each other and to be uplifted. All are welcome!

Sacred Harp singings are non-judgemental in spirit, open to the public and free of charge. You may join in the song or just listen, whatever suits you. Come and go as you please. It is not necessary to have had a musical or choral background to sing the Sacred Harp. All ages, all voices and any level of experience are welcome. All it takes is a desire to sing. A practice singing is two hours long with a break in the middle, usually with snacks and beverages served.

Futher tutorial:
The music is printed in shaped notes. Sacred Harp uses the four-shape method (only 4) fa, sol, la and mi. The four shapes replace the normal round, or oval noteheads. Each shape represents a tonal interval, or note, on the scale.

The C major scale in shapes
(note: we will address the minor scales at a singing school)

The usual way for a singer to learn to read shapes is by going to Sacred Harp singings and singing the songs. With repetition and practice singers will see the shapes and sing them with ease. At this point the singer is reading music. For some singers this is the achievement of a lifetime, a dream come true.

At a Sacred Harp singing the singers sit in a hollow square, each voice part occupying one side of the square and all facing the middle. The tenors are across from the altos and the trebles face the basses. A singer will call a song of their choosing then stand in the center of the square, the pitch will be given and the class will begin, singing the shapes first then the words. The leader sets the tempo for the song. When the song is finished, the next singer calls their song and stands in the hollow square and so it goes.

To further illustrate what a Sacred Harp singing looks like, the link below is a good example of a song being led at the Sacred Harp Convention in Ireland in 2012. (To return to this page use your back button in YouTube.)

This type of singing is startlingly unadorned. It's true to say that Sacred Harp tunes are interesting, easily learned and are unique for their raw, haunting harmonies. They can become stuck in your head, sometimes for days.

A little background on the origin of Sacred Harp singing:

In the 1700's in colonial New England few pianos or organs were available to accompany singers during church services. Without some tonal assistance, the singing in churches left a lot to be desired, thus a market for singing schools was born. Itinerant singing instructors would roam the countryside teaching young and old alike to harmonize and read music using this 4-shape note method.

Before long, singing schools became a very popular social activity to which young people as well as their parents, friends and relatives would ride long distances on horseback to attend. Many new tunes were composed, numerous songbooks were published and then sold at the singing schools, a way for the singing school teachers to make a living from their craft.

B.F. White of Georgia along with his partner E.J. King compiled the most loved songs into an oblong songbook titled The Sacred Harp. Its longevity is a testament that singers in every corner of the country still love it today.


Please watch some videos of Sacred Harp singings - use back button to return:

Bridgett Hill Kennedy leads 276 Bridgewater

Morgan Cavanagh leads 146 Hallelujah, 1st Ireland Sacred Harp Convention, 2011

2012 National Sacred Harp Convention
First Christian Church Birmingham, Alabama, 475 A Thankful Hear

Mr. Lonnie Rogers, RIP, leads 318 Present Joys at
the 1982 Holly Springs Sacred Harp Convention, Bremen, Georgia

D.T. White leads 318 Sherburne, 1982 Holly Springs Sacred Harp Convention, Bremen, Georgia

Watch the trailer for the Sacred Harp documentary film "Awake, My Soul"

Alan Lomax speaks on Sacred Harp, Georgia, 1982


Sources of Information on the web: -  The complete resource

Portland Sacred Harp

Eugene Sacred Harp

Pacific Northwest Sacred Harp Singers

Sacred Harp on Wikipedia